I love coming up with unique ways of shooting my lingerie sets, probably as much as the sewing itself! Sometimes I shoot them on a lightbox (basically like shooting on top of one big light), sometimes in a window, or on my favorite throw. At times I still feel like a baby with a big camera and have so much to learn, but really enjoy composition and thinking about proportions within a frame. Before my sewing blog days, one of my weekly hobbies was floral photography, which inspired me to take some photo courses and upgrade my camera. I not only loved taking photos of my garden but then bringing picked flowers inside and assembling all sorts of still lifes in front of a big back light. It seems like shooting lingerie has replaced my still life hobby.
And I also particularly love trying to capture the textured and often gossamer nature of laces and lingerie fabrics. Feels like peering into the deep throat of an iris. I saved this particular lace for over a year and probably pulled it out 15 times just to roll it through my fingers. I do that a lot–it’s kind of dorky but I’m so tactile!
The lace and all notions came from a Merckwaerdigh kit, and while I was at it decided to have a whirl at a different bra pattern, Merckwaerdigh Mix30. I’ve had this pattern in my collection for ages but never got around to the bra, in part because I already have two personal bra patterns with vertically seamed cups. But sometimes it’s fun to veer off and try something new. I need some reason to justify my crazy lingerie pattern collection!
I started with a 75C (US 34C) cup, which I arrived at by comparing with one of my best fitting cup patterns, so I got very close to a perfect fit. All the band sizes in this pattern are a 75/34 so you have to remove or add length to arrive at your particular band size. My preferred band length is somewhere between a 30 and 32 but whatever length I use depends on fabric choice. Since I already have a few tried-and-true band patterns, I used my own frame (bridge, cradle, band), and simply added the same design details, such as the scalloped back band with camisole-style straps.
The pattern’s design uses lycra on the outer cup and bridge, and lace on the inner cup and band, which lends itself to a pattern blocking look. I really didn’t want to this to get that busy looking so I went all lace, and lined the entire cup with sheer tricot.
When I use these kind of lightweight fabrics and sheer linings, the cups end up very soft with just a slight amount of give and lend a natural shape, which I like. I have a lot more of these sorts of bras than those with stand-up-on-their-own cup fabrics. The particularly good aspect about this bra’s design is the long strap extension which is not only very comfortable but helps keep the top part of the bra from sagging.
Speaking of lace and softness, many readers have asked me how seamed or lacey bras look under clothes. Oddly I had never stopped to think about all this–I was blissfully unaware of “show through” until people asked. I bought my first lacey seamed bra when I lived in Europe, in a place where seamless bras were few and far in between. So maybe it is a cultural preference for suggestion? But now that you asked, I don’t really notice the seams–it just depends on the weight of the top I’m wearing. What I do notice is color and so I like to have a lot of pale neutrals. This bra is definitely something for dark clothes.
However, I do like playing with seamlessness in undies.
These are a hipster style and were an experiment in making a pair that were cut entirely from one piece folded over and seamed at the front. Tulip bikini–that’s what I’m calling this!
Bra: Merckwaerdigh MIX30 (using my own band)
Lace & most notions: Merckwaerdigh bra kit
Fine stretch mesh: (band lining and underwear fabric) Fabric Depot Co.
Dye: Washfast acid dye, National Blue (strap elastic and mesh)
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