Blue Jeans Baby


Hello, hello! Hello, November and goodbye to my favorite month of the year. Am I in the minority in that I love autumn? I can finally spend blissful hours in my garden without sweating or getting attacked by mosquitoes. But it’s more than the weather; I love the transitions, slowness and more contemplative emotions of fall. It’s also the time of my birthday, so I was born for it.

So this is what became of my jeans project. Since my last post about these, I took a long & scenic route to fitting. I’d take them apart, re-cut and stitch them back together, preen in front of the mirror, pin out here and there, take them apart again, then take a few days off and distract myself with a fun dyeing project so I didn’t get overwhelmed. Wash, rinse, repeat.


I’ll be honest, I’m not sure what’s going on with this outfit. I have had one of those months where I feel like throwing my clothes out and starting all over. It doesn’t help that most of my winter clothes are in our attic, stored from our move this spring. What I really wanted to do was roll up the jeans and wear a long tunic–a favorite style of mine–but then you wouldn’t get the all-important booty shot!


This month I’ve been working on a lot of pattern drafting projects. These kinds of projects are slow and full of learning, and really excite me, because they involve learning the fundamentals of fit and not just fixing symptoms. So while fitting these jeans, I went down some very fascinating rabbit holes reading about pant design. I read online and off, including stuff from arcane men’s drafting journals.

One of my very scenic side roads involved watching the videos in my long-ago purchased Craftsy Jeanius course, and then spending an evening making a pattern from one of my favorite pairs of wide-legged jeans. They are a totally different style than what I’m working on but the resulting pattern was very educational! (The front leg of this pattern was so much narrower than the back, for instance, while almost every draft I’ve seen makes front and back nearly equal.) I still plan to make up the pattern I got from my jeans, but that will have to wait for another rainy day. If you have been frustrated with jeans patterns, but already have a pair that you love, I’d recommend trying this class as one way to start.

So I left this project with a head full of fitting ideas, but for now this is how far I got. I love some things and am bothered by others, which I will fix the next go-around. Because of all my unpicking, recutting and re-stitching until I had just a shred of a seam allowance left in some parts. The waistband and fly are attached by something like 1/8″, and I couldn’t fit a fly that covers the zipper. Don’t tell the jeans that, because they seem to be holding up just fine! Unfortunately, I also had no length left for hemming so had to settle on an odd ankle length.

The scenic route was totally worth it! Drafting my own was worth it. I’m not sure I had a clear idea of the style I was after, hence the scenic route, but the process got me a lot closer to learning about my fit, and I ended up with a couple of potential patterns which won’t require starting a major fit process all over again. Win win!

Alrighty, who hasn’t tried jeans yet?

Pattern: self-drafted (starting with Bunka Pants & Skirts, with details like the yoke and pockets copied from other jeans)
Stretch denim: Gorgeous Fabrics, but at least five years old!
Pocketing: B. Black & Sons
Rivets & Button: Cast Bullet


Like Cats & Dogs


These days I rarely buy fabric unless I have at least some inkling of what I’ll be making with it. And I’m particularly cautious with prints. Without a clear vision they end up lonely souls in my stash for years and eventually start feeling really dated. Stripes are totally excepted. And apparently so is a cat and dog print that looks straight out of a 1960s French children’s book.

It might look better as a wall hanging than an actual garment, but that happens to the best of us, right? This is definitely one of those things that could border on twee pretty quickly, and I’m not sure I can pull of twee even ironically. I tried. Kittens and puppies are my weakness. We have a lot of animal companions–three very energetic border collies and a herd of rescue cats. Perhaps some day I will introduce the dogs if they actually sit still, but I warn you that this will move me far out of the category of “sewing blogger with cute cat” into something much more like a zookeeper. Somehow we manage it, city folk on a small farm.

cat & dog dress

snow & peanut

And when my clothes aren’t covered in animal hair, they should be covered in animals! Snow and Peanut are the cuddlers in the family.

So the fabric. It was billed as a Japanese cotton knit with a price to match. And I bought a yard with no clue what it would be. My first instinct was a flirty mini skirt. Then I remembered I’m not 16. Definitely not a t-shirt, because that seemed a little meh, but I finally decided on something like a glorified t-shirt dress, but a little boxy and with actual dress details like darts and such. This was my inspiration and pattern:


[Dress by Pipit/Anthropologie, Style Arc Kristin pattern]

Shift dress patterns are pretty simple designs and easy to come by. Vintage 60s patterns are full of them! Once you have one that fits it can really become a base for so many other design details. (Which Colette really banked on with their Laurel pattern.) I’m a sucker for Style Arc patterns so I went with their Kristin dress, which I have made a few times and have a feeling I will use it for a bunch more ideas. I posted one of my earlier versions in a grey doubleknit, mostly hidden under my red cape. Each time I’ve made it I’ve changed something simple to come closer to the fit I like. Style changes like lengthening sleeves and hem length, changing the bust darts, adjusting for a small bust adjustment. Style Arc is just a little bit busty on me, but not too bad. The shoulder and sleeve fit is fantastic. I’m already working on another version, a hip length top from the pattern with a long back opening. On this one, I did a semi-exposed zip using this crazy multi-colored teeth zipper I’ve had in my stash forever.



The pattern is really designed for a woven or a ponte/doubleknit, and as I expected, the fit in a thin cotton knit turned out a bit bigger than my previous makes, and after a few wears the lack of spandex or rebound made it grow even more. It’s also not the best thing to wear with tights. It sticks!

Still despite the dubious print and fit, this was one of my most worn summer dresses, and what you’re seeing here is my first without bare legs and sandals. My friend Steph came over and helped me do a bit of winterizing with a 60s restyle (including some good ole hair teasing, which I really have to try more often!). I think the dress will go back to the closet till the warm weather returns!

And I’ll leave you with this cuteness. Love it when they ham it up…


Pattern: Style Arc Kristin
Fabric: cotton jersey, Tessuti
Zipper: stash
Hair & (non-cat) photos: Stephanie at Hold Vintage


Lingerie Friday: Cutting & Tipping Underwires

cutting underwires

When I first started making bras, I was surprised by the discovery that no two underwires are the same. I simply thought I’d buy a wire in my current size and presto!–I’d have one that fit just like my store-bought bras. But when I started taking apart my old bras I discovered that they were different in widths/diameters, curve shapes, lengths, and wire gauges. Some were really lightweight steel, others quite thick.

Underwires are the foundation of modern bra drafting. They determine breast diameter, circumference, and depth, and lingerie companies don’t go around picking wires out of a pile. There are a lot of specs and sizing research that go into wire manufacturing. What brands design depends on the style, their target demographic, costs and fit profiles. I’ve been on the phone with a few manufacturers and the choices are mind-blowing if I wanted to make them to order. So are the costs for a small independent retailer. I mention all this because it puts my attempts to find the “perfect” wire into perspective! It also makes me thankful for the independent shops that continue to source them.

And even though many shops now carry a variety of different wire sizes and shapes from plunge to strapless, I’ve been wanting to just cut my own. One of my favorite handmade bras recently bit the dust, so I pulled out the wire and found it rather out of shape…

bent underwire

I cut it out because I really wanted to trace it off, before it got too late to discern any possible shape. The builders at my local hardware store directed me to copper wire cutters which would be great for picture-hanging wire but not the wires I’m cutting. I already talk about lingerie far more than is publicly acceptable so I had to make up something about “really thick steel jewelry!” to tell them why I needed a vise and plumber’s cutters!

cutting underwires

The vice and cutters cost me about $15 total. I needed the cutters anyway, because I do cut jewelry chains occasionally.

It’s very easy to cut existing wires. If the wires you bought are too long, even just a smidge in the front or sides, you feel it, right? Why not have a totally customized wire? Just mark off the spot you want the wire to end and snip. Definitely wear glasses for this–the snipped part will fly across the room! Here’s a set of wires, one before cutting and after (black tips). I took off about 3/8″ on each side.


To coat the wire ends, I used Plasti-Dip. Plasti-whaa, you say?

It’s basically a liquid rubber tool dip, and makes a perfect soft coating for the end of cut wires. It first became popular as a colored rubber coating for tool handles and auto wheel rims. A design-savvy friend informs me that dip-painting silverware was all the rage last summer, right next to overdyed Oriental rugs. Plasti-dip latched onto this trend and has a Pinterest board devoted to crafty dipping ideas. Chairs, jewelry, toothbrushes, kitchen appliances, shoes (great if you wanted some Comic-Con boots). Stopping short of small pets, it seems everything was getting dip-dyed. Or dip-rubbered, that is.

I also tried Household Goop, which I’d read about on a few corset-maker sites (it’s often used to tip bones), but I found it a little difficult not to “goop” a big messy blob on the end of the wire. If you make a mistake, both the Goop and Plasti-Dip are easy to peel off after a few picks with a utility knife.

Even though wires are invisible, I’m kind of a color fanatic. I like the idea of dipping my wires in a fun color, and Plasti-dip has a color mixing kit, which I bought because I think I’m going on a silverware dipping binge at some point! It took two or three dips to get a nice smooth end that properly covered the raw metal:


Presto–my perfect wire!

One more tip for using Plasti-dip: Once you dip your wires, it starts to dry rather quickly but takes about an hour for the dip to fully settle and dry. Find a way to hang your wires upside down, so that the dip forms a nice rounded edge at the tips.

Update: Since writing this post, I’ve had a few occasions where the Plasti-dip coating peels off while inserting it into wire channeling. (The same with Household Goop.) Lately I have been trying heat shrink tubing as suggested in the comments below. I don’t file the edge of the wire, since the tubing seems to form enough of a smooth edge. You can find heat shrink tubing at hardware stores. I purchased mine on The 3/32″ size seems to work with most wires.


In Process: Jeans Fitting

I spent a good rainy indoorsy Sunday sewing up and fitting my jeans.

Just for a good laugh, here’s version 1.0:


What is going on with that waistband? you might wonder. It’s a cautionary tale about pattern drafting. I know that I should always measure twice, double-check my calculations. In this case, I drafted the waistline in metric but accidentally added ease in imperial, about three inches too much! Oops. I like to draft in metric as it’s more precise–it’s also what my pattern book used–but I think in imperial. It’s sort of like learning a language; I’m not quite at the point where I dream in metric, so I switch back and forth with my rulers to “translate”.

I took apart my pieces and cut out a version 2.0 with a completely new pattern adjusted to zero ease with a little bit of negative ease in some parts, including the waist. On my first pattern I drafted the hip and thighs with about 2.5cm total ease, which is a really small amount for a non-stretch woven, but this denim has 35% stretch–and it fit like it had almost 10cm of ease. So rather than take in adjustments willy-nilly here and there and everywhere, I figured it was easier to recut.

On version 2.0, some things improved and others seemed to get worse…


There’s some excess here and there, especially around the seat and the front crotch length. Ahh, that dreaded crotch fit. I have fit this area before with success in pants and shorts, but working with stretch fabric is a different beast. And jeans curves are shaped very differently than other pants. If you have ever examined your RTW jeans you might have noticed that the front fork is often much shorter and the curve is flatter than you think it’s going to be. Really slim stretch jeans and pants often have the inseams and outseams closer to the front around the seat/crotch area than trousers. This could have been my first problem–I used a slim trouser draft that wasn’t specifically for jeans.

But thinking about the differences gave me an idea I want to try but it will have to wait until next weekend.

The glorious mess…


At the bottom is Leo. He snuck in this room overnight and did some kind of happy claw dance on my fabric, which left snags I had to cut around. I think he’s plotting his next move.

So jeans 3.0 will have to wait but at least I got to play with topstitching! (Thanks to readers who suggested that I use regular thread in the bobbin. That really helped.)



The J Word

Look ma, I’m making jeans!

jeans cutting

It’s taken me awhile to jump into jeans sewing. Now and then I’d see a cute pair on a sewing blog and get the warm fuzzies. They’d send me hunting for some dream denim, of which I have now accumulated a few yards. And I blame those fuzzies for seducing me into buying Colette’s Clover (to transform into slim fits–I blame Sallie!) and the famous Jalie jeans pattern (I blame the rest of the sewing universe!). I even signed up for Kenneth King’s jeans knock-off course on Craftsy. Inevitably the warm fuzzies wear off, and I swear up and down that jeans are just not something I want to make. I still like to buy them and love trying out different styles and cuts. High waisted, yes please. High waisted and wide-legged, double yes. Straight and slim, colored, waxed and trouser-style jeans are all in my wardrobe.

So obviously I’m having a change of heart again. Here’s what really sealed the deal: We just got back from a week in San Francisco, during which I landed on a massive denim sale at Discount Fabrics in the Mission. $3.50 PER YARD. That’s insane for beautiful Japanese selvage, designer stretch denim, in every weight and color of blue and black. Thank goodness I didn’t have an extra suitcase.

And honestly, drafting my own jeans, rather than using an existing pattern, would keep me interested, plus teach me a thing or two about fit and style lines. I had a couple of options for that:


One was a “classic jeans” draft from Aldrich’s Metric Pattern Cutting. The other was a close-fitting trouser from Bunka’s Skirts & Pants. They’re fairly similar but I liked some of the finer points of the Bunka draft. It also includes better explanations of ease and shaping, and how they relate to different pants styles. All the Aldrich books tend toward a “just the facts, ma’am” sort of drafting style.


Skirts & Pants is a part of a 5-book pattern drafting series published by Bunka Fashion College in Tokyo. You might recognize the name as the original publisher of the Pattern Magic books, and it seems like most of the Japanese sewing authors (Drape Drape, etc.) teach or were educated there. A veritable hotbed of pattern drafting goodness! I bought the whole series a couple of years ago but have never gotten around to using them till now. They’re unique books in that they are more than just drafting books. Each drafting section includes actual sewing instruction (great illustrations) and fitting ideas. They’re really holistic for a self-taught drafter.

So I spent a weekend in and out of the patternmaking zone and came up with this:


I played around till I came up with a basic slim-cut jean, narrowish around the thighs but straight to the floor from the knee. This is one of my favorite styles for every day. Just as a side note, one of my biggest frustrations with just about every pants draft I’ve come across–and I have a serious patternmaking book addiction–is the drafting of the center back, and how to angle it depending on style. The Bunka method is better about this, although I still like the backs of pants even higher, so I fudged around till I got the back length I wanted.

I already know I’m going to have to tweak the yoke shaping but I’m looking forward to sewing them up this weekend! I’m going to make a trial pair, sans pockets, out of this space ranger denim I bought about five years ago. It’s really shiny and metallic on the reverse, and not my favoritest color in the universe. I don’t know what I was thinking at the time–I blame half my fabric stash on the warm fuzzies!



White to Ivory: Dyeing with Tea


I am working on a design idea for a bridal lingerie set, but had the hardest time finding ivory elastic to match my chosen lace. White just looks like an eyesore next to ivory, and I didn’t want a contrasting color.


I’ve learned through my elastic dyeing experiments that pale colors don’t always turn out as well as darker ones. And ivory has been the hardest color to get. It doesn’t matter what color or how little dye I use, there’s no in between white and a mottled greige that looks just plain wrong.

Tea dyeing turned out to be a perfect solution. I could have also tried coffee, which is far more common in this house! Tea is a really low-commitment, no mess dye, with no need for separate pots or gloves.

I’m just starting to read about natural dyes, especially those that don’t need any mordants or additional chemicals to assist in helping the dye bonding process. These are called “substantive dyes” and include stuff like tea, coffee, onion skins, tumeric and ooh, pecan shells, which are overrunning my garden right now. (We have eight mature pecan trees.) I see a dyeing experiment coming up this fall! But, and a big but, from everything I read, these dyes are the most permanent on wool, and a little less so on cotton. And there isn’t much information about using them on nylon.

But really, all I wanted to do was just “off-color” my notions. I tried a few different teas–PG Tips, chamomile and Lady Grey. The first elastic came out kind of icky gray-ish tan. The chamomile didn’t add much color. The Lady Grey seemed to have more red or warm colored tea leaves in it and that gave me my best results.


First I made the tea by steeping one teabag in a pot for about 1 minute. Just one teabag, because I really just wanted to dim a white color, not go any shade of pale brown. I let things cool down a bit before dunking my notions. In my experience, anything with spandex starts to curl above 140°. When it was ready, I immersed my wet and elastic and notions and stirred them about until they looked like it had just taken on a slight stain.


I think this will work just beautifully. For all I know, I may have just stained (rather than actually dyed) these elastics, which is just fine. I’m pretty sure they will never fade back to blinding white. If you know the secret to that without using bleach or high heat, pass it on to me, because a few of my white t-shirts would thank you!

Have you ever dyed with tea?

Good Dye Reading:

*Dyeing with Tea

*About Natural Dyes and *some interesting science about mordants

*Handbook of Natural Dyes by Sasha Duerr

(p.s. Thanks to everyone for the kind wishes and suggestions on my WordPress commenting problems. My problem was very simple, and I think I got it solved. I was on Akismet’s spam list, and one of my gracious readers helped me get through to Akismet support. There are sometimes more problematic reasons behind why one’s IP (the address that identifies the network from which you work) would be flagged by spam filters, but thankfully none of those sticky reasons were my situation. Computer is all clear, network is all clear!)


Are You a WordPress Blogger?

I’ve tried to avoid throwing up a random public service announcement, but it seems I have nowhere else to go. I’ve got to hit the streets (my blog) to solve this funny problem: WordPress peoples, I’m having trouble commenting on your blogs!

I’ll craft a comment and it just disappears into the inter-ether. This has been happening for over two months. Eventually, I just stopped commenting, and now watch some of my favorite blogs as a silent bystander! Would you help me? If you are a blogger, and I’ve ever left a comment on your blog, it’s highly possible you have one of my comments in your spam.

The same thing happens on those blogs which run their own wordpress software ( and which have Akismet turned on. I think Akismet flagged my IP. Has this happened to anyone else? It’s the only explanation I can think of and I’ve tried everything else on my end.

If you don’t know how to check, try looking in your comment spam and use the search tool to get past the hundreds of spammers trying to sell you counterfeit Louis Vuitton bags. (Am I the only one who gets those?)

I’ve also written WordPress and Akismet to try and solve my dilemma but I’m a month into trying to contact them and still no responses. Hence the PSI.

*If you use Disqus without activating Akismet to block spam, then I don’t usually have a problem.

Sorry to bother up the blog space with this. Now back to sewing blogging goodness…

UPDATE: Just found out that Akismet has definitely flagged my IP as spam, which bans me as a true commenter. Good to know I wasn’t going crazy. Stinks because now I know my comments have ended up in many a junk folder and will continue to end up in WordPress purgatory until they resolve it.


Lingerie Friday: Art Deco Lingerie (and Foam!)


Maybe it was all the Gatsby craze in the air. Or the Krypton set designs in Man of Steel. Blink and you’ll miss it, but I think there was an homage to the Spirit of Detroit statue–one of my favorite hometown attractions–in the “history of Krypton” scene. The rest of the movie bored me to pieces, but at least those set designs were cool. Neo-futuristic art deco. I can just hear the design team storyboarding: steel, industry, pittsburgh, steel, crumbling, detroit in the 20s…

Don’t you love how I manage to pitch Detroit hallmarks in some of my posts? It’s a part of my childhood.

Anyway, I love art deco and its mix of strong geometric symmetry with organic forms. Back in the spring, I scored some groovy rayon jersey with gold and black organic lines with no particular thought as to what it would be, but eventually it kept screaming art deco.

So I drew out an idea for a bra.


It’s been a long time since I’ve drawn or sketched figures or fashion ideas, but there was a time I really enjoyed it. I took a few semesters of fashion illustration many years ago, but I’ve just never gotten that fast at it, and really get frustrated with colored pencils. If only I was better at watercolor…

Jersey doesn’t always work so well as an underwired cup fabric so I decided it was time to pull out foam cups. I’ve had these in my stash since I bought my very first bra-making kit.


They are an unusual shape from what I’m accustomed to wearing, but I thought it was time I played around with them. For the cups, I wanted a two-piece cup cover with silk banding along the neckline. It is possible to drape a four-way stretch fabric completely over a cup without any darts or seams, but not only did I want to use two fabrics, both of them had limited two-way stretch. So I needed to make shaped cup pieces:


To come with these pieces, I did a little draping experiment with some scraps of my fabric. Starting from the bottom of the cup, I pinned and smoothed the fabric, going upward until it wouldn’t lay flat anymore. Once pinned in place, I used a thin marker to draw around the cup edge and the line where the cup fabric stopped being smooth. This gave me the bottom piece. Then I did the same for the top piece, pinning from the neckline down. Once I had these two pieces, I traced the cut fabric shapes to paper and smoothed the lines out a bit till the seamlines matched. In words that probably sounds complicated but it really wasn’t! It’s just like draping, except on a really small and easy scale.

I started with my own frame and band and then figured out how to rotate the cups into the cradle. That part can be a bit of a puzzle at first. I pinned and repinned until I found the center bottom.


I took lots of construction photos because I thought some would be curious about the process. But I think it’s a bit more fun to look at finished! I went for a little bit of bling in the form of gold hardware and silk accents…


The bottoms are a simple high-waisted shorty that I’ve made a few times now, but for this one I’ve added a ruching detail with to the back. I think I was a bit conservative in the ruching–I might go for even more in the next pair.



Speaking of foam cup bras, many moons ago I promised a tutorial on how to use cut foam with a bra pattern. And some of you have kindly written me and asked, whatever happened to that?. I promise, I haven’t forgotten! I learned so much from running the sew-along about what steps to cover, what I actually have time to do, what I still don’t know about bra-making (because there is always more to know!) and so on, that I had to scrap my original tutorial. And guess what? I’ve just finished writing up a new one with lots of photos of the process. This time I got a friend to help me photograph because it’s really hard to sew and stop and shoot, over and over, by myself. (I end up unpicking a lot of seams when I do.)

So stay tuned. It should be ready in a week or so, and I’ll definitely be giving a heads up beforehand!

Patterns: self-drafted
Main fabrics: Rayon jersey (Stitched Austin), stretch silk charmeuse (Dharma Trading)
Powermesh: local Joann’s
Foam cups: Bra-makers Supply
Dye for silk ribbon and charmeuse: Jacquard Acid Dye, Jet Black
Trims, tricot lining and other notions: mostly Fabric Depot Co.


An American Girl


Yes I’m referencing Tom Petty and not the dolls. Derek and I recently re-watched the 2007 documentary Runnin Down A Dream. It’s four hours long! But it’s fantastic. If you didn’t “get” him before, you’ll be surprised at this Southern boy, big star story. Doesn’t matter if you’re a fan or not; music documentaries make you fall a little in love. I’m addicted to music history anyway. My first “real” post-college job was as a music critic; have I ever mentioned that?

I just threw out my red and white gingham rodeo shirt, which I’m a little bit sad about because that would’ve been a real winner for this outfit. (It was time–the shirt was 70s vintage and threadbare and way beyond repair.)

A couple of years ago, I went on a “great shirt fabric” binge, with the idea, of course, that I’d be making some awesome shirts for my man. I think he’s given up hope (“our house is turning into a bra factory!”). This chambray was among those. I just love classic quality chambray, so I bought enough for me, too. This fabric was already slightly on the heavier side for shirts, a bit more of New York shirt weight than an Austin weight, but perfectly swell for shorts. I was craving a kind of denim-y looking pair but not in actual denim, and was totally inspired by Jen’s chambray-ish version in her tutorial.



The denim idea also inspired all the topstitching. I think I’m finally going to make jeans this winter, so I need some practice with that thick thread. Just the little bit of topstitching swallowed up a spool and a half and two bobbins! Note to self: buy lots of topstitching thread for your jeans, so you don’t run out halfway through the project!

I’ve practically lived in these shorts since I finished them. I just love that almost everything I made this summer is getting really, really worn. (The Cascade skirt makes its appearance at least twice a week!) It makes me feel happy to sew. This has been my most “I made this” summer yet. Derek was in a wedding over the weekend, and I was pulled out my dormant but absolutely wedding-perfect Cambie (along with the hat and shoes), which always feels a bit too girly for most days of my life. So I’m glad I make frosting, too. It was just too cool to get dressed up down to the handmade lingerie (this bra and matching knickers), and exclaim to myself: I made all of this! Sometimes you just have to stand back, admire, remind yourself how cool it is to sew.

Anyways, the shorts. I don’t have any good back shots. I just don’t have the sense of humor to show you the bad wedgies. I put a picture up, I took it down. And in the other half of the pics, I’m doing this:


The shorts looks great when I allowed them fall naturally around my hips, but I kept having this weird instinct to pull them up (to the point of pulled-up too much in the back, ha!). The thing is, I LOVE high-waisted shorts and jeans because proportionally it looks and feels pretty great on me. On me, most patterns are too long between shoulder and waist and too short between waist and hip. So any rise six inches or less just feels and looks indecently low. I think to correct this problem in the next pair, I would probably take the shorts rise up by about an inch and then take in a little bit of the center back for a smooth fit.

I’m almost considering turning this pattern into jeans rather than start with a new pattern. But then I wondered if I actually need the traditional back yoke of jeans to help with fitting. What say you?

I hope you all have a lovely weekend! We are off to visit Derek’s family for an extended weekend, before the summer goes away.

Pattern: Grainline Maritime Shorts
Fabric: cotton chambray fabric, Emma One Sock


Agua Fresca Shorts


Sweet potato fries with chipotle aioli. Topo Chico, the Pellegrino of Texas. And then finish it all off with a watermelon agua fresca. Not a really balanced lunch, but there were cucumbers in there somewhere. Seriously, these are things I crave in mid-summer and they are so so Austin. As are food trucks, which I know are a foodie phenomenon all over the globe now, but we have them year round because we eat outdoors year round, and they are a staple in every neighborhood. It makes sense that low overhead dining would take off in a city with skyrocketing real estate.


My friend Steph and I decided to brave the afternoon for some corn dogs and other good-bad food. I’m pretty sure I was blending, or maybe not, in my watermelony brights. I was thinking about watermelons all week long, a flavor–and color–I crave at the height of summer. Today went into the 100s again but I still thought it’d be fun to some kind of summery shoot of me in my Argentinian blanket shorts.

Woo, I made them again! These are Grainline’s Maritime shorts pattern. Actually, I made two pairs and took photos of the second, but the others are a totally different vibe and fabric so it might be a different post. For now I’ll revel in food truck land right in the middle of the hot hot afternoon.



As you might remember, I made these exact same shorts in too small of a size, but I didn’t let that deter me. I was testing my luck because I refused to make a muslin. Too little time. Having to print out and re-tape the pattern all over again was going to be my only penance on this one! But then of course I added time by making two. What’s the logic in that? When I want to prove to myself that a pattern can’t beat me, I make two. Take that, you pattern, you!

For my new pairs, I went up a size, then added just a bit of width to the thighs by re-drawing the inseams and outseams. These are somewhat slim-fitting shorts and I don’t have little thighs. I like the new shape a lot better, it’s more relaxed. However, after a wearing or two on both my pairs the fabric really relaxed and the shorts started to fall down! Oh the things you learn about fitting!



I need a personal valet to periodically dry me off in this heat. I just live with the wrinkles.

I mentioned before that this fabric ravels like a monster, so it was necessary to serge every edge before starting. After that, I really loved working with it. It’s a very loose weave (which also contributed to the fabric relaxing with wear) and even though it’s acrylic, they’re super soft and feel quite cool. This is a very easy to make shorts pattern. (There are lots of good supplemental tutorials on Jen’s blog.) I’ve sewn lots of shorts so I went in my own direction with construction order and fly zip method. I like the simple shape and style, a short short, and I’m super happy to have added a few shorts to the wardrobe. I’m not a major shorts girl, but I just live in them in the house all summer. I’m also really craving a high-waisted pair, too, in a crazy printed denim. I just might hack this pattern into all sorts of things. It’s a really good base from which to work.

I don’t have a lot of details to show, but if you look at my previous attempt at these, they’re finished identically. I used Radiance silk cotton to line the waistband and pockets. (Do you know about the wonder that is Radiance fabric? I have probably made 5 yards of bias tape of this stuff, skirts, blouses, and linings.)


As you can see, Austin gets all beach loose and cash by high summer. Tight little shorts and flip flops are a college girl uniform around my hood.

Pattern: Maritime Shorts
Main fabric: Aguayo blanket fabric, Sweet Llama Supplies
Lining: Radiance silk cotton poplin, (long ago stashed!)
Blouse: my favorite find last summer!
Photos of me: Stephanie Press