Tag Archives | rtw tailoring sew-along

The White Jacket: Finished

By on May 26, 2011 in Classic Pieces, Coats, The White Jacket
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Yay! White Jacket is done. Actually, it’s been done for over a week but I wanted to take it to the cleaners for one last press and to clean some of the grub that’d occurred while handling and sewing.

And you know what? The dang cleaners pressed a different roll line. What’s up with that? When I picked it up, the lapels were flipping up and folded onto themselves inside the cleaner bag.

And the lapels were so perfectly rolled before the cleaners. Hmph. Hopefully I’ll be able press some of this out when I get a chance. After my last post, I ended up taking apart the entire lapel and shaving off some of the extra allowance from the facing. It was work to do all that, but I quite enjoyed it, like a little science experiment in deconstruction. I could see how the lapel wasn’t lying parallel with the collar. Shaving some off solved both the dimpled and ripple-y lapel (but the cleaners somehow managed to press even more ripples).

Okay, so lesson learned about the cleaners. Has anyone else had their tailoring undone by a cleaner?

The chain was one last detail I needed to make it more like my original inspiration. (More jacket details in my last post.)


If I were to make this pattern again, I would do one more adjustment in the bust area, something like this:

Actually, I think that should’ve been my first adjustment, and I’m figuring I will have to do it in most patterns with a lapel. I cut and overlapped almost two inches in the Lady Grey coat. I have broad shoulders but am rather tiny around the rib cage and bust, so having things very fitted-looking there is important to me. I’d also narrow the lapels even more than I did. Fat lapels come in and out of fashion but at the moment I much prefer the long and narrow lapel. Other than all these refinements, for anyone still balking at Marfy, I have to say I really liked working with the pattern. It was drafted well, made a great block to start from, and the lack of directions freed me to follow the sew-along.

In other news, we hit our first 100° (38C) day yesterday. This pool hides in an apartment courtyard near us and some of our friends sneak in at night. We were taking photos at a nearby park and then D said, that dress really wants to be near a pool. I almost jumped in. Seriously. I’ll still have use for light coats from this point on, mostly to wear indoors as Texans love their air conditioning. Movie theaters are infamously refrigerator cold.

I really want to give a big thanks to Sherry for all her amazing work in the RTW Tailoring Sew-along. She’s added a huge, invaluable resource to online sewers–and in my humble opinion probably deserves to get paid for all her teaching work and commitment in answering our questions!

My next project will be a few simple tank tops, as I mentioned before. I’ve already got a silk one cut out, and am fixing up another pattern for knits, based on the Lydia.

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Sneak Preview: The White Jacket

By on May 12, 2011 in Classic Pieces, The White Jacket
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I am a slowwwww sewer. And I actually have time to sew, but I move at such a contemplative pace.

A friend of ours recently quoted something he read, “The first 40 years of your life you’re trying to beat death. The second 40 you’re embracing it.” It wasn’t a cynical observation at all, if you knew him–it sounded like a 90-year-old wise old oak rocking on his front porch.

I’ve been thinking about his little proverb nugget ever since, especially in regard to creativity and productivity. While finishing my jacket I kept hearing Feist in my head, crooning, “Take it slow, take it easy on me”.

I’m being a bit selfish here in showing some detail pics, because I want some advice before I sew the buttonholes, close up the sleeve lining and model it. And well, press it, because I haven’t really done much of that yet.

First the good:

I love how the sleeves came out. I was very nervous about this, despite the fact that I didn’t have to wrestle large amounts of sleeve ease. This fabric easily puckers. And I wanted a very strong shoulder, so I ended up hand-sewing in a a stiff and contoured shoulder pad, rather than machine sewing it to the allowance. I didn’t want in any way to crush the lift!

My pattern didn’t include vents on either the sleeves or back, but the original jacket I was knocking off did, so I drafted those. I used Sherry’s sleeve vent tutorial for the sleeves.

I searched high and low for true white buttons, but apparently button-sellers like calling ivory “white”. I ended up with a bunch of buttons I didn’t want and then decided on mother-of-pearl–if I’m going to go ivory, might as well go pearly.

Pockets turned out alright, the flaps a bit short for the welts, but I’m happy.

For the back vent, I followed Fashion Incubator’s tutorial on facing & lining junctions (here and here). Unlike my sleeves, the back vent also has a vented lining and needs to be drafted differently.

I drafted the vent a little too long in the end and had to hand-tack part of it down so it doesn’t start swinging open near my waistline.

I love how the lining came out. I sewed the entire thing in two passes, following the sew-along except at the facing hem, where I again used the tutorial at Fashion Incubator.

Now the bad:

The collar disappointed me a bit. It’s got a little bubble where the lapel meets the collar. Any advice on this?

You can see how this particular lapel also has a wavy doohickey going across the point. Don’t know what to do about that either.

The lapel itself looks wavy on the edges. I suspect this has to do with the seam allowances–the outer edge is actually longer than the seam and by squeezing itself in there might be causing the waviness?

Would a smaller (maybe 1/4″) seam allowance prevent this, or is this the nature of my fabric?

Ok, enough of lapel talk. The only other thing that is driving me mad is just occupational hazard. White really does dirty up quickly if you are working on it for long. I washed my hands quite frequently but that didn’t stop it from getting a little dulled. I may have to take it to the cleaners already–which might give me a great final press, too. What do you think?

I really dislike having silk dry-cleaned frequently. It starts to dull after awhile. But I do spill and am not especially neat. Hand-washing is out of the question for this jacket so it will have to be handled with kid gloves.

Edit: I corrected this entry to give proper credit to the “Unnamed Tutorial” series at fashion-incubator.com by Kathleen Fasanella. This series includes a technique of drafting a pattern so that a jacket’s lining and facing are entirely sewn by machine resulting in a very clean finish.

I had previously included links to a sewing blog demonstrating this technique–which I found from yet another sewing blog. I mention this only because I feel it is important bloggers track down their sources properly. Original tutorials with photos are proprietary information belonging to the author/publisher, whether from a blog or a book. I take these issues seriously, and apologize for not crediting properly the first time.

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The White Jacket: Bits and Bobs

By on April 23, 2011 in Classic Pieces, The White Jacket
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(No, I’m not English but ‘bits and bobs’ is one of those useful phrases I picked up living with a ship of English folk for the last three years.)

I spent a good hour testing interfacings on the dupioni for my jacket. I always think I know which one is going to work, but then I get down to fusing and mysterious things happen. The supposedly lighter tricot knit inferfacing was so stiff and heavy, I wondered how I could possibly use it in any knit. A weft was a little too fluffy, but I had a yard of some warp-insertion that felt just right.

And gosh, I think I fused for over two hours. Yawn. During the process I watched an entire film, one of those gambles in Netflix recommendations. Remember Rob Morrow? (I loved, loved, loved Northern Exposure.) He wrote, directed and starred in this older indie gem, which features an early performance by the always lovely Laura Linney.

Anyway, I carried on and just have my lining left to cut, but I’m itching to sew so I might make the welt pockets first.

I’m already thinking about how to pair my jacket with some of my existing clothes, but it really needs a white tank, I think, so I’m plotting that as my next project. I’ve re-drawn the Lydia t-shirt pattern into just about every shape (a kimono-sleeve tee, a French stripey top, a bateau-neck dress) except a tank. That’s how I’ll dress it down–tank & jeans.

And for up, I love the original Stella McCartney look but then I saw this…

{from Vogue UK January 2011, via Proper Topper}

I don’t know who the designer is, but it’s an almost identical jacket. I love the white on black (and I’ve been in this nutty black and white mood for awhile), and the glamazon cuff! the silk 70s-ish jumpsuit!

Gertie wrote a sort of “to jumpsuit or not?” post this week and I couldn’t help but chime in, yes! yes! I’m an unabashed lover of jumpsuits. I won’t confess to how many I own, but bought my first one at a vintage store six years ago and I love how they solve a lot of fashion problems in the same way dresses do. Yes you have to unzip your entire self to use the restroom but I have done worse things for fashion.

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I Used to Be a Hacker

By on April 11, 2011 in Classic Pieces, The White Jacket
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Despite the fact that my garden is in its most glorious state of the year, with wildflowers and roses blossoming in wild enthusiasm…

I’ve been forcing myself indoors. I’m in the throes of jacket-making in the sew-along and am determined to stay in it. To learn. I like crunchy deadlines and intense work periods. Followed by completely pooped out and distracted periods. I just learn best this way.

I learned to sew patterns right out of the envelope without any sort of altering, fitting, slashing, pivoting. Never had even heard of muslins. I had pretty hilarious ways of hacking as I was sewing to get things to fit. Like the ginormously high-waisted tuxedo pants I made in college; they got years of wear and deserve to be enshrined somewhere near my Doc Martens. The crotch was so low and dorky that I kept sewing and picking out and sewing until I had this even weirder baggy crotch and I took to wearing the things around with safety pins to hold the pants in the shape I wanted. And I wasn’t trying to be punk rock or anything.

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